• LEFT FIELD
• http://www.davidwilson.org.uk/2019/09/left-field.html?fbclid=IwAR1kc8mt5b5E1XfR_AO9sEpGOGCE27HRe5FtKigoytbNVVx7ORm53TkRwpQ

MY WORLD CAFÉ

https://riversmeetproductions.co.uk/publications/

MY WORLD MUSIC

My World Music

Ukraine meatgrinder

 

Ukraine - The meat-grinder war

Here’s the history that the politicians and media will never tell you about Ukraine. Ukraine and Russia have been closely connected for over 1,000 years. Kiev, Ukraine’s capital, was once the capital of Kievan Rus and laid the foundations for Russia itself. During the Soviet era, Ukraine was central to the USSR. Soviet leader Nikita Khrushchev was Ukrainian.

That was a long time ago. When the USSR collapsed, Washington stepped in, not to help Ukraine, but to weaponise it against Russia and leave the country defenceless against its bloody fate. Since then, the power brokers are not in Kiev, but in Washington, Moscow, Brussels & London.

The U.S. & NATO promised Mikhael Gorbachev they wouldn’t expand “one inch eastward", but the West poured billions into Ukraine—funding pro-NATO political groups, NGOs & media to manufacture an anti-Russian state.

In 2004, the CIA backed the "Orange Revolution," to overturn an election that favoured a pro-Russian candidate. Ten years later Ukraine’s democratically elected president, Viktor Yanukovych, rejected an EU trade deal that would have destroyed Ukraine’s economy. So the US removed him with the "Maidan Revolution"- a CIA-backed coup—orchestrated by Victoria Nuland. If you have never heard of her you know very little about the region’s recent history. Let’s just say she handpicked Ukraine’s next leader, allowing Kiev to be taken over by neo-Nazi groups like the Azov Battalion, who celebrate their Nazi history and wear SS insignia.

The post-coup regime then banned the Russian language and attacked millions of Russian-speaking Ukrainians in the east. That’s when Donbass and Crimea said enough. Crimea held a referendum with over 90% voting to return to Russia and Donbass followed. Kiev then launched a brutal war, shelling civilians for eight years. This started with a massacre of Russian-speaking protestors taking shelter in an Odessa trade union hall. When Russia intervened the media screamed “unprovoked invasion.”

So who is Zelenskyy? Before politics, he was a comedian and actor - literally playing the president on a TV show. Then, with the help of Western PR teams, fiction became reality. His campaign was funded by oligarch Ihor Kolomoisky, who owned Ukraine’s largest oil company and bank. Once in power, Zelenskyy’s priority wasn’t fighting corruption—it was making sure Kolomoisky, working with BlackRock and Western banks, took over Ukraine’s economy. Meanwhile, Zelenskyy funnelled millions into offshore accounts, and is alleged to have acquired a $34m mansion in Miami as well as a luxury London apartment.

With Ukraine losing the war, Zelenskyy might soon be a resident there as he is being abandoned. Donald Trump told him: "You don’t have the cards." And he’s right. Ukraine needed Western intervention to win and that would mean WW3. Once you’ve chosen to be the puppet of the US empire don’t show disrespect if you want to keep your shirt on. Forget that suit.

This was now a historic catastrophe for Zelenskyy and his version of Ukraine. “A disaster” and “bitter chaos” (The Economist); a “meltdown” that “could not have gone worse” (Financial Times); a “historic escalation” (Der Spiegel); a “disaster for Ukraine” and a “spectacular confrontation” (Le Monde); an “upbraiding” and “debacle” for Zelensky (New York Times).

Meanwhile Ukraine is running out of soldiers, and Ukrainian men are hunted like animals to be shipped off to the frontlines and a hopeless meat-grinder war.

Putin explained to journalist Pavel Zarubin that Moscow is open to business cooperation with the US regarding rare earth deposits everywhere in Russia, including territories recently conquered from Ukraine. Both Trump an Putin, representing US and Russian oligarchic regimes, are in it for the money.

The US has an impressive record of first using and then liquidating puppets. To name only a few, Ngo Dinh Diem of former South Vietnam, Manuel Noriega of Panama, Saddam Hussein of Iraq, and Osama Bin Laden.

Washington’s European vassals seem to be choosing the worst possible moment to finally rebel: They have helped drive an insane proxy war forward and pushed Ukraine into an abyss with fanatic, self-destructive submissiveness to US rulers. It is the Europeans who are now trying to obstruct the search for peace.

It is as perverse as you can imagine. These European ‘elites’ still manage to surprise: whenever you think they have done their very worst, they upstage themselves.

The U.S. started this conflict, which has always been a U.S. proxy war against Russia as well as a grab for Ukraine resources. Trump? True to form, he shifts position with an ever-eager eye for his personal opportunity. He escalated the conflict by increasing the arms sent to Poroshenko 2017-2019 and to Zelensky 2019-2021. Now he dumps his erstwhile ‘ally’.

And Zelenskyy? He was elected on the promise to end the attacks against eastern (Russian) Donbas regions, and subsequently did the opposite. He shut down all 14 opposition parties, closed all major media, embezzled $400 million of U.S. aid (see Seymour Hersh), closed Russian Orthodox Churches, and jailed opposition leaders and journalists.

He preferred Antony Blinken's and Victoria Nuland's brutal strategy, with approximately a million Ukrainian men killed to date in this conflict. Millions have emigrated, with many forced into the front lines and their deaths.

The mafia third degree televised interview between the orange man and the clown prince has got everyone to a point which started with the US neo-cons and their support for Ukrainian fascists in 2014.

Nevertheless, many prefer to stand with Ukraine and fly its flag, forgetting that a flag represents a state and not its people. The people’s flag would not be yellow and blue but red. Sadly not representative of a socialist present and future, but dipped in the meat-grinder blood that has become the fate of the Ukrainian people.

Meanwhile in Gaza?

Careful where you place your flowers

I was at the Gaza/Palestine rally in Whitehall yesterday (18 Jan 2024) which was to have concluded with a march to the BBC and I witnessed all that happened. 

The police banned the rally from being held, as originally planned, outside the BBC because they said it would offend the kahal kodesh (congregation) at a neighbouring synagogue during their time of service. The pro-Palestine movement have never threatened synagogues and, in any case there would be more Jews on the march than several synagogue congregations. These photos show orthodox Jews at the rally, descendants of holocaust survivors and the Jewish Bloc.

When the march organisers said they would rally in Westminster, place the Jewish Bloc at the front of the march, and arrive at the BBC long after any religious service, the police then changed the reason for the ban.It would be a nuisance to traffic. All marches are a nuisance to traffic. Their reasoning was obvious. The state broadcaster and its propaganda needs to be shielded from the opponents of the genocide they support.

After the Whitehall rally ended the organisers announced that they and some ‘celebrities’ present would now walk to the BBC and, if prevented from doing so, would lay flowers in front of police lines. To my way of thinking that is positively Gandhian. Later in the day The Guardian reported that  "More than 70 pro-Palestinian demonstrators were arrested in central London on Saturday on suspicion of breaching protest conditions after some allegedly broke through a police line as they marched from a rally in Whitehall."

No one 'broke through’ a police line. Two lines of police stood aside and even drove their vehicles away from blocking the road. I walked through the first line and exchanged smiles with the cop I walked past. They clearly wanted the marchers to proceed. After Trafalgar Square a third line of police and their vehicles did not move aside and Chris Nineham, chief steward, then attempted to effect the laying of flowers in front of the police by Juliet Stevenson, an 87-year old holocaust survivor  and others. No attempt was made to continue on to the BBC. Chris was violently arrested, held in custody for 19 hours and charged under the Public Order Act for 'organising an illegal demonstration'. Terms of his bail mean he is not allowed to organise or take part in any demonstration. This is a threat to all our civil liberties.

The truth is that the police wanted the marchers to go through their first two lines so that they could represent them as an unruly rabble set upon breaking through their lines. They successfully fooled The Guardian, but none of us who were there. 

Michael Rosen puts it well...

“Arresting demonstrators who are posing no threat to public order, and posing no threat to individuals or groups, is an expression of state power ...It's hard to gauge, but it seems as if the mainstream media are finding it hard to sustain the idea that what Israel has been doing in Gaza is legitimate. But in essence, the view that Israel's acts are legitimate, is the government view and is part of its alliance with the US. It's just possible that some people on high made calculations that arresting people will discourage some from attending demonstrations ... It looks as if the Met has boobed. We can see film of the police letting the leaders of the march through (thereby collaborating with them in 'breaking the law'!) ”.

Chris Nineham was held for19 hours, charged under the Public Order Act and then  released on bail. More than 40 others are still in custody as I write this. Release them all without charge Meanwhile we must charge the police and their State masters with using the laying of flowers in front of the police to move this country uncomfortably nearer a police state.

While writing this I received an email from a friend of mine .... 

“Nothing about this (the events as described above) on the News.  When I walked up Whitehall after my meet with friends at Tate Modern - I wandered into Trafalgar Square. I was wearing my Palestine scarf and a policewoman told me if I didn’t move in 30 seconds I would be arrested. I asked why. She said the square was a ‘non designated area’ and started counting . I said this was nuts and went off to see Francis Bacon. Earlier I had a Palestininan flag on my bag - a doorman at the Tate said I had to remove it. Why said I? Because the Tate is neutral. FFS

We can see what Gaza looks like. Are we really being told that we shouldn't have the right protest about this - Michael Rosen

End the Genocide march

 

Jewish Network for Palestine on 18 January Palestine march

"Saturday's march route has been reversed, we will go from Whitehall to the BBC. It's very important we get as many as possible for this march as the police pressure is mounting to ban us ... What the march organises are anticipating is a standoff with the police and so they are strategically putting all the "names" MPs and celebs on the front line and after them the Jewish bloc. So if the police do go in heavy, that's who they'll be arresting! It’s vital we continue to take to the streets in huge numbers to demand an end to British complicity in Israel’s genocide and apartheid, including through an end to all arms trade with Israel."

I have added this: The police say there is a synagogue close to the BBC. There isn’t. In any case there are likely to be more jews on the demo than in the synagogue and that assumes all synagogue attendees are Zionists. They are not. So if the police ‘kick off’ they will be arresting Jews for being too close to Jews. You cannot make this stuff up. It would be funny but the issue is genocide and that is not funny, join me on Saturday.I will be marching again walking with a stick, so hope to see you all there

Was It A Light in The Dark?

‘It Was A Light in The Dark’ ’ (The Guardian, 3 Jan.2025) was published to mark The Guardian’s decision to make War Child one of its charity appeal partners for 2025. Sadly it does so by straying far from the truth. 

When writing about War Child’s music projects in post-war Mostar (Bosnia Herzegovina)  and the work of the Pavarotti Music Centre (PMC), The Guardian claims that the centre ‘still provides music lessons and therapy to children in the city.’ There is NO therapy carried out at the music centre and NO music lessons. The only two music activities in the building are the town’s music school which has nothing to do with the PMC and Mostar Rock School which rents space from PMC for their work. Indeed when rock school organise concerts in the building they have to pay PMC for that! I need to add that the Rock School is as near as you get to music activities which reflect the early ideals of the music centre (bringing everyone together with music). 

I do not wish to criticise anyone at the PMC today - some of them remain my good friends - but they are in an insidious position, unable to work alongside the centre's founding ideals and are subject to political controls. That is a result of the removal of War Child support. 

War Child itself withdrew their support for the Pavarotti Music Centre soon after The Guardian’s 2001 article which exposed wrongdoing in the charity, and was followed by Jon Snow’s Channel 4 interview with Rosie Boycott (then Chair of War Child trustees). I was subsequently sacked by War Child for being the ‘whistleblower’ and as a result I had to leave my job as first Director of the music centre.

The parlous state of the Pavarotti Music Centre soon followed as the centre not only lost War Child support, but that of the patrons, including Luciano Pavarotti, Tom Stoppard, David Bowie, Juliet Stevenson and Brian Eno, among others. War Child has refused any support for the music centre for over 20 years and Rob Williams, then War Child CEO (salary £118,000), asked me to refrain from media comments without making clear that that I have no connection to the charity.

In 2017 I wrote an article which The Guardian published about my experience of corruption in the charity which I had co-founded. A year later the newspaper published an article about Orhan (Oha) Maslo and his great work as Director of the Mostar Rock School. 

In conclusion I think it wrong for War Chid to be favoured  as a Guardian  'charity partner' on the misleading assumption that they are involved with music projects that have sadly long-since disappeared,

I would like very much not to have to engage in any of this. I am 80 years old and have been ill. But Mostar is part of my life, indeed part of my family. Those who live there, and continue to unite young people with music, deserve to be served by the truth. That truth is not in The Guardian's "It Was A Light in The Dark". The light is coming from another direction.

Everything I mention here is supported by Guardian articles. See the below Guardian links.

David Wilson

co-founder War Child

First Director Pavarotti Music Centre

Guardian articles

STARS QUIT CHARITY IN CORRUPTION SCANDAL

MOSTAR ROCK SCHOOL

MY GUARDIAN ARTICLE ON WAR CHILD AND CORRUPTION

The Jimmy Saville of Nation States

 

It reminded me so much of what happened to us black people in South Africa. I have seen the humiliation of the Palestinians at checkpoints and roadblocks, suffering like us when young white police officers prevented us from moving about. Many South Africans are beginning to recognise the parallels to what we went through  . Desmond Tutu

We now have a law that confirms the Arab population as second-class citizens. It therefore is a very clear form of apartheid. I don’t think the Jewish people survived for 20 centuries, mostly through persecution and enduring endless cruelties, in order to now become the oppressors, inflicting cruelty on others. This new law does exactly that. That is why I am ashamed of being an Israeli today.   Daniel Barenboim

The founder of Zionism at the end of the 19th century, Theodor Herzl, was an admirer of the British Empire and wrote to Cecil Rhodes, founder of the white settler colony named after him, He said, “You are being invited to help make history. It does not involve Africa but a piece of Asia Minor, not Englishmen but Jews … I turn to you … because it is something colonial ..”

Chaim Weizmann, who suceeded Herzl added that “Should Palestine fall within the British sphere of influence and should they encourage Jewish settlement … we could develop the country, bring back civilisation and form a very effective guard for the Suez Canal.”

You don’t have to be a Jew to be a Zionist. Prayers at the US Embassy, on the day Trump moved it to Jerusalem, were delivered by Robert Jeffries, a Dallas megachurch pastor who said Hitler was sent by God to drive the Jews to their ancestral land.

The Jewish opponents of Zionism could be found at the same time as Herzl in the Jewish Bund, founded in 1897 in Poland and Russia. They stressed the principles of, socialism, secularism and doyikayt or “localness.”

Doyikayt was encapsulated in the Bund slogan: “There, where we live, that is our country.” One of their early leaders, Viktor Adler, declared “Bundists wish to shatter the existing economic frameworks and show the Jewish masses how a new society can be built not by escape, but by struggle. We link the essence of the Jewish masses’ life to that of humankind.

Here are past and present advocates who have linked their lives to humankind. Perhaps we will now be able to hear their voices more clearly.

Albert Einstein; “The (Israeli) state idea is not according to my heart. I cannot understand why it is needed … I believe it is bad ... There could be no greater calamity than a permanent discord between us and the Arab people … We must strive for a just and lasting compromise with the Arab people … Let us recall that in former times, no people lived in greater friendship with us than the ancestors of these Arabs."

Sigmund Freud: “I concede with sorrow that the baseless fanaticism of our people is in part to be blamed for the awakening of Arab distrust. I can raise no sympathy at all for the misdirected piety which transforms a piece of a Herodian wall into a national relic, thereby offending the feelings of the natives.”

Erich Fromm, social psychologist: “The claim of the Jews to the Land of Israel cannot be a realistic political claim. If all nations would suddenly claim territories in which their forefathers lived two thousand years ago, this world would be a madhouse.”

Primo Levi, a survivor of Auschwitz: “Everyone has their Jews and for the Israelis they are the Palestinians”.

Marek Edelman, one of the leaders of the1943 Warsaw Ghetto uprising compared the Palestine resistance to ZOB, the Jewish fighters in Warsaw.

 

Hannah Arendt, political scientist: “The trouble is that Zionism has often thought and said that the evil of antisemitism was necessary for the good of the Jewish people.”

Martin Buber, Israeli philosopher: “How great was our responsibility to those miserable Arab refugees in whose towns we have settled Jews who were brought here from afar; whose homes we have inherited, whose fields we now sow and harvest; the fruits of whose gardens, orchards and vineyards we gather; and in whose cities that we put up houses of education, charity and prayer. . ”

Isaac Asimov, novelist: “I find myself in the odd position of not being a Zionist ... I think it is wrong for anyone to feel that there is anything special about any one heritage of whatever kind.”

Harold Pinter. On Israel’s 60th anniversary said, “We cannot celebrate the birthday of a state founded on terrorism, massacres and the dispossession of another people from their land."

Uri Avnery, ex-Israeli army officer: “What will be seared into the consciousness of the world will be the image of Israel as a blood-stained monster, ready at any moment to commit war crimes and not prepared to abide by any moral restraints.”

Daniel Barenboim, Israeli pianist and conductor: “I don’t think the Jewish people survived for 20 centuries, mostly through persecution and enduring endless cruelties, in order to now become the oppressors, inflicting cruelty on others.”

Lenni Brenner, writer and civil rights activist: “The Zionist leaders were uninterested in Fascism itself. As Jewish separatists they only asked one question, the cynical classic: 'So? Is it good for the Jews?'”

Richard Cohen, US columnist: “The greatest mistake Israel could make at the moment is to forget that Israel itself is a mistake … the idea of creating a nation of European Jews in an area of Arab Muslims (and some Christians) has produced a century of warfare.”

Henry Siegman, Rabbi and director of the U.S./Middle East Project: “Israel has crossed the threshold from ‘the only democracy in the Middle East’ to the only apartheid regime in the Western world.”

Prof Norman Finkelstein: “Every single member of my family on both sides was exterminated. Both of my parents were in the Warsaw Ghetto Uprising. And it is precisely and exactly because of the lessons my parents taught me and my two siblings that I will not be silent when Israel commits its crimes.’

Richard Falk, former UN special rapporteur on human rights, called Israeli policies in the Occupied Territories “a crime against humanity.” Falk also has compared Israel’s treatment of the Palestinians to the Nazi treatment of the Jews.

Alexei Sayle: “Israel is the Jimmy Saville of nation states.”

Miriam Margolyes: “My support for the Palestinian cause is fiercer because I am Jewish.’

Noam Chomsky, “The last paradox is that the tale of Palestine from the beginning until today is a simple story of colonialism and dispossession, yet the world treats it as a multifaceted and complex story—hard to understand and even harder to solve.”

Michael Rosen on the children of Gaza

Don't mention the children.

Don't name the dead children.

The people must not know the names

of the dead children.

The names of the children must be hidden.

The children must be nameless.

The children must leave this world...

having no names.

No one must know the names of

the dead children.

No one must say the names of the

dead children.

No one must even think that the children

have names.

People must understand that it would be dangerous

to know the names of the children.

The people must be protected from

knowing the names of the children.

The names of the children could spread

like wildfire.

The people would not be safe if they knew

the names of the children.

Don’t name the dead children.

Don’t remember the dead children.

Don’t think of the dead children.

Don’t say: ‘dead children’.

The Last Song

I am in the final stages of completing my new book, My World Music, and am doing so while staying in Mostar.  I am writing under the shadow of a contemporary genocide and staying in Mostar, a place of an earlier slaughter. I will be dedicating the book to the people of Palestine.

If you would like to contribute to the final chapter, The Last Song, please send to me at david@davidwilson.org.uk

THE LAST SONG

Imagine that you are only able to hear one song or composition performed or recorded before all music is removed from your life. Perhaps, like Beethoven, you can no longer hear music. Perhaps, like Crusoe, you have been isolated on a desert island. This is the last music you will ever hear. It will be the music that you will only be able to recall from memory. 

Andreea Vas - ‘The Great Gig in the Sky’ by Pink Floyd

Whenever I listen to it, the instrumental parts, the (very few, but no less meaningful) words, but mostly the amazing Clare Torry solo, it seems to sum up the human condition, from birth to death and with all the dichotomies of life in between: hope and desperation, love and sorrow, conflict and resolution.

Claudio Menci - ‘Bella Ciao’

My middle name is Antonio Donato, after Antonio Gramsci. My father was on the Left and I had Partisan relatives. My uncle, Donato, was part of the Resistance in Florence and he was my godfather who taught me from a very young age to hate weapons, armies and wars and to stay away from religion. My grandfather played the trumpet and told me to love music and that the best weapons are musical instruments. Antonio Gramsci is part of me and my family.

Christian Marti-Menzel - Talk of the Town" by The Pretenders

So evocative that contains all my memories, maybe because the song, like our lives, is gentle and harsh at the same time.

Merilyn Moos - Johann Sebastian Bach's ‘Prelude and fugue in B major’.

I wasn't even five when I listened, enraptured, to my mother playing Bach as if her life depended on it, on our beautiful old German piano. I would have dissolved myself into the sound if I could have. I took the piano for granted. It was not till decades later that I started to wonder how it had ever been got out of Nazi Germany. It took me even more decades to realise that my mother was playing for the ghosts of those whom she had left behind and who were later murdered by the Nazis. Now I listen to the music against the noise of bombs and missiles falling on the Palestinians in Gaza: another genocide.

Luna Maslo - ‘This Woman’s Work’ sung by Kate Bush

I imagine myself being 70 and listening to this song. As the song is playing beautiful melodies, I would be looking back on my life and questioning if my life's canvas was painted with bold enough strokes. Many people are concerned about whether they are going to accomplish enough in terms of a career or if they are going to have the biggest house on the block. My concern is if I am going to be brave enough to actually embrace life's very pulse. This song is full of being and feeling.

Dorothy Byrne - ‘Feeling Good’, written by Anthony Newley and Leslie Bricusse, and sung by Nina Simone.

A song of ecstasy and empowerment. At first, the lyrics are an ode to personal happiness, speaking of the joy of a new day and the freedom of nature. But the music builds in power to a climax at the line ‘Freedom is mine’ and becomes an anthem for all those who have suffered oppression and are determined to grasp their rights.

Pay-Uun Hiu - ‘4.33’ by John Cage

The piece I would choose would be ‘4’33’ by John Cage. I hope l will never lose my ability to hear the sounds that surround me as music, because that's what this piece is all about. I hope I will still be able to enjoy the chirping and twittering of birds as melodies, to feel the healing power in the drumming sounds of the waves, to hear the sparkling rhythmical patterns in the water of a brook. To unravel the songs of the wind. And let all of it bring harmony into my heart and soul. Then I will live happily after, hearing music all the time.

Senad Šuta - ‘My Life’ by The Beatles

I grew up with The Beatles, Elvis Presley and many others, but my first memories are related to the The Beatles, the greatest band of all time, My mother is guilty because had their records and she loved to sing their songs with my father whistling beside her. Aged 5 or 6 years old in Bosnia Herzegovina I didn't have any idea what the song was about, but the melody was enchanting. After I studied English in primary school I figured out that the song is about; love of life and love of friends, family, and lovers both past and present. A song for all of us, for all time.

Anthea Norman-Taylor - Karl Jenkins ‘The Armed Man’ (a Mass for Peace)

it is not music for the head or limbs, but for the heart. It makes me think of my daughters: Darla, whose beautiful voice rang out in a choir in Edinburgh at the first performance of the piece I heard. And the sentiment of the piece is for Irial and her endless work towards peace and justice for Palestine. I also like it because it makes me want to sing along, which is pretty rare in classical music.

Edwin Maynard - ‘Sans Frontière’ by Congolese singer and dancer M’bilia Bel.

A love song that celebrates the African diaspora from which we all stem. M’bilia Bel’s voice modulates effortlessly between languages - Lingala, French, and a wordless humming that speaks directly to the heart, concluding in a long ummmmmmm that feels like a breath of the Earth dancing out its dream.

Andrew Williams - Cello Suite No. 1 by Benjamin Britten (Opus 72)

This work, written in 1964 for the charismatic cellist Mstislav Rostropovich beautifully illustrates Britten’s ability to integrate classical and contemporary principles to create a work that is grand, sublime, and truly enigmatic. The rich harmonies make it easy to forget that it is all played on a single instrument. For me, this piece illustrates the ways in which music can enter right into us and resonate with the strings of our soul.

Russell Mills - Edward Elgar’s ‘Sospiri, op 70 (1914’

It was a close call between Elgar’s Sospiri (1914), Arvo Part’s Solfeggio (1963), and Hildur Guðnadóttir’s Fólk fær andlit (2020). In the end I plumped for the Elgar.

Javier Fariñas - Dietrich Buxtehude ‘Herr, wenn ich Nur Dich Hab’

This is a song to bless the soul and the lives of the dearest friends. Only the most special people.

Alison Martin-Campbell - ‘The Lark Ascending’ by Vaughan Williams

when I heard this for the first time when I was 20 and I couldn't move, I couldn't hink and I couldn't breathe. To this day, despite its popularity, if I hear it on the wireless or see it being performed on the television, I have to stop whatever I am doing takes over my whole soul, my whole being. I always cry when I hear it as it as it reminds me of so many things that have passed: my late parents, the ex-boyfriend who first played it to me and how fleeting life is.

Innes Sibun - Aretha Franklin’s ‘Amazing Grace’

It reduces me to tears every time I hear it because she pours her heart and soul into the performance and it is sublime.

Sue Dowell - Jean Sibelius ‘Symphonyin D major, Op. 43’

first heard it at the Proms in my 20s and it’s been my favourite piece of classical music ever since. Sad in places, but always hopeful, the music sweeps you along as it builds and recedes by turn, To me it has always felt like a perfect soundtrack for life.

Michael Walling - Pat Nixon's Aria, ‘This is Prophetic’, from Nixon in China by John Adams.

A strange musical memory, because it's about looking forwards. It uses the evocative power of a solo voice in an orchestral echo chamber to reach deep into experience and envision a genuinely humane society, one based on humility and trust.

John Claassen - Ennio Morricone, main theme from ‘Cinema Paradiso’.

I have always found this music surprisingly moving and emotionally resonant. It sneaks up on you and by the last marvellous sequence of the film, it provides a primal fusion of music and cinematic art. If it had to be the last piece of music I could ever hear it would always stay with me as a welcome earworm.

Alastair Hatchett - Beethoven’s ‘9th Symphony’

I first heard this symphony as a teenager in the mid-1960s and was overwhelmed by the music and especially the stirring fourth movement. In that movement a huge choir sings Schiller's ‘Ode to Joy’ (An de Freude) , with the chorus "all men are brothers". When the Berlin wall came down in 1989 there was a performance of the Symphony in Berlin at Christmas conducted by Leonard Bernstein. The 'Ode to Joy' was sung as the 'Ode to Freedom', so the word Freude was replaced by Freiheit. For many of us around the world, that was a moment of real hope

.Kevin Jefferies - ‘Nice and sleazy’ by the Stranglers.

An incredibly dark and beautifully produced record that grabbed me and made me pick up a bass.It is politically way ahead of its time and still sounds very relevant today...and the bass inspires me still.

Ben Wilson - ‘Drop The Pilot’ - sung by Joan Armatrading

This reminds me of the first ever concert my dad, David Wilson, took me to at Wembley Arena in for my 10th birthday in1983.

Dorothy Hughes - 'California Dreamin' by The Mamas and the Papas.

I love the group's music, but the harmonising in this piece transports me.

Alaistair Fraser - ‘The Strangest Dream’ by American folk singer-songwriter Ed McCurdy.

A great anti-war song and I remember singing it unaccompanied in various places - once in a tiny Irish pub on the banks of the River Shannon in Ireland, and a few years later at the ColBar in Singapore. When I was teaching at a boys’ school in Bournemouth in the '70s, I often wrote bits of drama performed by the students for the school assemblies. One year my piece was to celebrate the anniversary of the United Nations. As the boys laid down their mock rifles and uniforms on the school stage they sang this song. “I dreamed the world had all agreed ‘to put an end to war’.

Cecily Bomberg - ‘Stardust’ sung by Nat King Cole and 'Strange Fruit' sung by Billie Holiday

May I have two songs? The first I would like to hear in my last days is ‘Stardust’ and the other is ‘Strange fruit’. The first in memory of finally coming to terms with a great loss in a peaceful setting in my early youth. The second, when I began to understand something of the real world outside and what fear and hatred can bring about if we don’t fight it every day of our lives.

.Victoria Brittain - ‘We Shall Overcome’ sung by Joan Baez

It was the song of the US civil rights movement and the anti-Vietnam war movement which inspired me to take my little son and go to Vietnam as a young journalist and thereafter has been with with me in opposition to US backed wars from Angola and El Salvador to Iraq and Palestine.

Carole Vincent - ‘Unconditional Love’ by Gentlemen Without Weapons

As a lover of nature and its creatures great and small, I have chosen this song. GWW took sounds from the natural world & mastered them into a wonderful song. They set up the "Earth Love Foundation" in 1989 to encourage musicians to support rainforest conservation. We all know how important that is, perhaps even more so now.

Dilshini Sandhu - Beethoven’s ‘Fur Elise’

‘Für Elise’ is important to me, because of its simplicity and complexity. The juxtaposed feelings, from minor to major, capture someone's sadness and playfulness that can often exist simultaneously. It resonates with me because music is what feelings sound like and we often have several emotions existing within us simultaneously.

Murray McCullough - Bob Dylan’s ‘Knocking on Heaven’s Door’

I was at a social event in Mostar in ‘95 and a local chap said this song, which everyone there was singing, was the unofficial Bosnian anthem. When I asked why he replied , “because we have all been to Hell and now we are knocking on heavens door’.

'Brian O’Reilly - ‘Workers Song' written by Ed Pickford and sung by the Scottish socialist folk singer Dick Gaughan from his LP 'A Handful Of Earth'

An anti-war song that says everything about the lunacy of capitalism and war.

Steve Day -‘ The Beatles ‘Tomorrow Never Knows’

This Beatles song is a drone, an endless vibration. It speaks to everything we can’t see, but still feel. It has fed my desire to make music ever since I was a teenager, and still does.

LiljanaRadulj - the Dalmatian folk song, ‘O Marijana’

This song reminds me of hanging out with friends on summer nights.

Clifford Thurlow - Bob Dylan’s ‘Masters of War’

In this song we learn that old men and rich men and politicians make war for young men and young women and good people to be sacrificed. The song's themes never go out of date.'

Nina Lobmer - Queen’s ‘Bohemian Rhapsody’

.All music in one song

Jan Woolf - Beethoven’s ‘Piano Sonata No. 21 in C, Op. 53 -"Waldstein" - 3. Rondo (Allegretto moderato)’, played by Alfred Brendel

Many layers here . I heard it at Dartington hall some years ago. Brendel was too elderly to play and he introduced the piece played by a much younger pianist - and I thought how sad that must have been for him. The piece was sublime and helped transform a depression - so I downloaded it by Brendel and played it over and over later during the night.

Gillian Howell - Mozart’s ‘Clarinet concerto, A-Major 622’

It is one of those pieces of music that offer an unbroken connection between the past and the present.

Joanna Harrison - Mozart’s ‘Piano Sonata in C Major’ K 545’

As we get older music means more and more so this piece makes me think of the nostalgia of childhood but at the same time is uplifting.

Liz Huhne - Mozart’s ‘Piano Concerto No. 21 in C major, K. 467’

I played this for my husband Peter whilst he was in bed shortly before he died. A guitarist visited regularly and played this for him as well as Fats Waller’s “Your Feet’s too Big” and Louis Armstrong’s “What a Wonderful World”.

Sebastian Balfour - Johann Sebastian Bach’s Cello Suite No 1

It evokes a powerful memory of my mother. She was once a professional singer and had harboured musical ambitions for her three children. She wanted my brother, sister and me to form a piano trio. My brother was encouraged to learn the violin, my sister the piano and me the cello. My brother soon abandoned the violin for the trumpet. His passion became New Orleans Jazz and he formed a band. My mother was acutely embarrassed. My sister could play the odd Chopin Mazurka on piano, but never developed beyond amateur level. My teacher was a professional cellist and one of Pablo Casals’ pupils. I remember struggled to learn the Bach Suite. My memory is a mixture of disappointment and pleasure at the complex beauty of this magnificent piece of music.