Whistles are for blowing ....We know the names Edward Snowden, Chelsea Manning, Julian Assange. Forced exile, imprisonment and confinement. They are whistleblowers whose lives have suffered from attempting to better the human condition. I personally know a couple more; Ex-SAS trooper, Ben Griffin and former UK Ambassador, Craig Murray. Ben was persecuted for holding information about the UK military's collaboration with US torturers, Craig for wanting Jack Straw and his then Foreign Office employers to acknowledge that some allies in the 'war against terror' boil their prisoners alive. My respect for these people is great because, at a much lower level, I too was a whistleblower. I didn't suffer their fates, but was sacked from the NGO I had co-founded, and never employed again in that world. Even as an OAP, I was shocked to be refused work stuffing envelopes at an NGO whose work in the Middle East I had admired. When I have spoken out on political matters I have been told by that I must make it clear that I have nothing to do with my former charity. So I recommend Ian Cobain's article in the Guardian, (16 Feb 2016) about the Law Commissioners recent report suggesting a new law criminalising, not only those who disclose official information, but anyone “who obtains or gathers information”. If passed into law this will tighten up even further on the 1979 Official Secrets Act which the Liberal MP, Clement Freud said, “gives the attorney general more power than a bad man should have or a good man should need.” Of course this covers only the state sector, but as in my case, this thinking infects the wider world. Sadly in Trump-World we are going to need an army of Snowdens, Mannings, Assanges, Griffins and Murrays. You can read more about my experiences as a whistleblower in 'Left Field'
"Not everything that is faced can be changed, but nothing can be changed until it is faced" - James Baldwin
Thursday, 16 February 2017
Friday, 10 February 2017
Personal battles of the man behind War Child
“From heavy drinking to launching a charity, David Wilson’s life story is an absorbing read” Camden New Journal reviews 'Left Field'
Earlier reviews: Morning Star Socialist Review Kirkus Reviews
Buy 'Left Field' for £13 (includes P&p) from Public Reading Rooms
Saturday, 14 January 2017
Kirkus review of 'Left Field'
review of 'Left Field' has been
featured in Kirkus Reviews 12/15 issue. Less than 10% of their
reviews are chosen, so am well pleased. "His
shared heart wrenching observations are clearly a highlight of this
richly textured, moving work … Raw and compelling; a story well
told of a vital and varied life in a war-torn region."(Kirkus Reviews).
* Only one month to go to release of audio version of the book
* Only one month to go to release of audio version of the book
Friday, 13 January 2017
Thursday, 12 January 2017
ITV's 'On Assignment' in Mostar
Julie Etchingham has confirmed that she will be coming to Mostar in September to make a short film for ITV's 'On Assignment' – about the Pavarotti Music Centre 20 years after its founding. Julie was in Mostar for BBC Newsround when Pavarotti came to open the centre. Here is a film of the opening.
She will meet
some of the children, now adults, who attended the Centre twenty years ago and
find out what has happened to them in the intervening years and how
the PMC affected their lives. People like Adin Omerovic, aged nine at
the time, who remembers this:
‘I, together with my classmates, practised a song to perform for the opening of the Pavarotti Music Centre. I had heard of plans for the Centre, but I could not dream that I would be there or near to Pavarotti. At the end of the song, “Big Bam Boo”, I gave Luciano Pavarotti a flower. I still remember that day when we waited for him so long and I cannot forget how strong my heart was beating after his speech. He said, ‘Grazie, grazie,’ I still remember that. I got a toy from him which I still have. I would like to have more memories like this one. Thank you very much, Pavarotti.’
‘I, together with my classmates, practised a song to perform for the opening of the Pavarotti Music Centre. I had heard of plans for the Centre, but I could not dream that I would be there or near to Pavarotti. At the end of the song, “Big Bam Boo”, I gave Luciano Pavarotti a flower. I still remember that day when we waited for him so long and I cannot forget how strong my heart was beating after his speech. He said, ‘Grazie, grazie,’ I still remember that. I got a toy from him which I still have. I would like to have more memories like this one. Thank you very much, Pavarotti.’
Left Field is available at Waterstones and on Amazon
Wednesday, 11 January 2017
Corbyn's wage caps
Jeremy Corbyn has excited the fury of the media with his proposal for wage caps. The Daily Mail denounced his 'sub-Marxist drivel' while The Daily Telegraph fumed at his 'staggering assault on individual ambition and market forces.'
In fact he probably took the idea, not from Das Kapital but from (Lord) Richard Rogers, who long ago applied a ratio earnings cap in his architectural practice.
With lurid accounts of how planes out of the UK would be full of investment bankers and football players I wonder how many charity bosses would be on board.
As the co-founder of the charity War Child * I am shocked at the salary level of charity bosses. We have all heard of the £234,000 salary at Save the Children. In fact executives working for the UK’s top 100 charities have an average remuneration package of just over £167,000.
I suppose that the wage of the present War Child CEO, a mere £95,000, is modest by comparison.
The justification is always that the voluntary sector has to compete with the corporate world and attract appropriate 'talent”.
Reprieve founder, Clive Stafford Clark, would disagree. Supporting the rights of prisoners worldwide, the charity employs numerous lawyers who would be paid much more in corporatopia. In a recent Guardian article, Clark wrote that the highest paid cannot be paid more than one-third more than the lowest paid... 'one should want to do good rather than do well. That said, we pay a very reasonable salary, and we attract brilliant people from all walks of life – we just don’t pay them (or me) excessively, and we do it with a degree of equality. … fairness is much more likely to foster happiness than the brutal competition over money advocated by some.'
Here here to that and I would recommend that the charity I founded follow the Reprieve example.
If wage cap principles cannot be applied in the voluntary sector we will have increased cynicism towards their motives on the part of the public and a diminishment of their potential to bring about change for the better in this 1% world.
As Dhananjayan Sriskandarajah, the secretary-general of Civicus has said: ‘We have become a part of the problem rather than the solution. Our corporatization has steered us towards activism-lite, a version of our work rendered palatable to big business and capitalist states. Not only does this approach threaten no one in power, but it stifles grassroots activism.'
In fact he probably took the idea, not from Das Kapital but from (Lord) Richard Rogers, who long ago applied a ratio earnings cap in his architectural practice.
With lurid accounts of how planes out of the UK would be full of investment bankers and football players I wonder how many charity bosses would be on board.
As the co-founder of the charity War Child * I am shocked at the salary level of charity bosses. We have all heard of the £234,000 salary at Save the Children. In fact executives working for the UK’s top 100 charities have an average remuneration package of just over £167,000.
I suppose that the wage of the present War Child CEO, a mere £95,000, is modest by comparison.
The justification is always that the voluntary sector has to compete with the corporate world and attract appropriate 'talent”.
Reprieve founder, Clive Stafford Clark, would disagree. Supporting the rights of prisoners worldwide, the charity employs numerous lawyers who would be paid much more in corporatopia. In a recent Guardian article, Clark wrote that the highest paid cannot be paid more than one-third more than the lowest paid... 'one should want to do good rather than do well. That said, we pay a very reasonable salary, and we attract brilliant people from all walks of life – we just don’t pay them (or me) excessively, and we do it with a degree of equality. … fairness is much more likely to foster happiness than the brutal competition over money advocated by some.'
Here here to that and I would recommend that the charity I founded follow the Reprieve example.
If wage cap principles cannot be applied in the voluntary sector we will have increased cynicism towards their motives on the part of the public and a diminishment of their potential to bring about change for the better in this 1% world.
As Dhananjayan Sriskandarajah, the secretary-general of Civicus has said: ‘We have become a part of the problem rather than the solution. Our corporatization has steered us towards activism-lite, a version of our work rendered palatable to big business and capitalist states. Not only does this approach threaten no one in power, but it stifles grassroots activism.'
*I have been asked to state that my views concerning War Child are my own, otherwise “there is a risk that I will be seen to be passing myself off as a current War Child representative.”
You can read about my work as former director at War Child and how it ended in Left Field
Tuesday, 10 January 2017
The Sunny Side of the Street
Recently
I
went to Bridgeside Lodge Care Home in Islington to see for myself the
work carried out by the Spitz Charitable Trust. It was set up by my
old friend Jane Glitre to 'relieve social isolation in local
communities through the power of live music.' Bringing professional
musicians to perform alongside the residents of places such as
Bridgeside, at this gig vocalist Emine Pirhasan was accompanied by
Arthur Lea on keyboards
performing songs by Aretha Franklin, Bill Withers, Ben E King, Jonny
Nash, Fats Waller, Louis Armstrong and Jimmy Cliff. Not a white cliff
of Dover in sight, which tells us all we need to know about the speed
of time! The home overlooks the Regent Canal and when I looked across
the water at the Hanover Primary School I could see kids in the gym
skimming about the floor to music. There was no skimming here at
Bridgeside, but there was movement of mind and body which was at
least as impressive. John had been wheeled into the room slumped to
one side and apparently asleep. But as 'Stand By Me' opened he
started tapping his feet and mouthing the words. In another
wheelchair Julia's initial contribution of loud vocal exclamations
gave way to hand and arm dancing in perfect rhythm with the
musicians. Song sheets were handed out and most joined in with their
favourites. One woman who didn't seem to be aware of her surroundings
grabbed a rattle and with determination moved it and herself into the
rhythm. A lot of the songs referred to sunshine. 'On the sunny side
of the street', 'You are the sunshine of my life', 'Sunlight hurts my
Eyes' and my favourite for this bright sunny winter
morning, Jonny Nash's, 'Gone are the dark clouds that had me blind,
It's gonna be a bright (bright), bright (bright)
Sun-Shiny day.'
Sun-Shiny day.'
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