After
Sarajevo, we drove to Mostar along an
alpine road, except that mosques, with
their elegant, stone-needle minarets, stood in place of churches. The
town took its name from the bridge which spans the turquoise waters
of the Neretva River. ‘Most’
means bridge, and ‘star’,
old. Rebecca West was there in 1936 and wrote in
Black Lamb and Grey Falcon, ‘It
is one of the most beautiful bridges in the world. A slender arch
lies between two round towers, its parapet bent in a shallow angle in
the centre. To look at it is good; to stand on it is as good. Over
the grey-green river swoop hundreds of swallows, and on the banks,
mosques and white houses stand among glades of trees and bushes.’
Constructed in the 16th century by order of Suleiman the Magnificent
and designed by his architect, Hajrudin, the stones were held
together with horsehair and manure. When the scaffolding was removed,
the architect had disappeared. The Sultan had threatened to cut off
Hajrudin’s head if his bridge fell into the river. For many
centuries and despite earthquakes and wars, it didn’t. We spent a scorching afternoon walking through the narrow streets of the Old Town,
trying to keep in the shade. After drinking at a riverside café, we
walked onto the bridge and it was pleasant to stand at its centre, as
Rebecca West had done, and feel the breeze from the mountains. The
tourist office told us there was a campsite west of the town on the
road to the Adriatic coast. We couldn’t find it and, as it was
getting dark, we drove off the highway down to the river. In the
middle of this wilderness we met a family from Tuzla. They had
pitched an old canvas tent and beside it was a chicken coop with five
scrawny hens. The father told us that they holidayed at this spot
every year. I asked how long they had been there and he looked at the
hens. ‘We came with ten,’ he said, ‘and eat one a day.’ ‘Are
there wild animals in the woods?’ I asked. ‘Yes,’ he said, 'but
it’s the people you should watch out for.’ I thought it was an
odd thing to say, but I would have good reason to remember his words.
Eighteen years later I came back.
"Not everything that is faced can be changed, but nothing can be changed until it is faced" - James Baldwin
Showing posts with label Mostar bridge. Show all posts
Showing posts with label Mostar bridge. Show all posts
Tuesday, 12 May 2015
Saturday, 18 April 2015
Bridge of Bosnian Blues
If you watch 'The Bridge of Bosnian Blues", you will understand why Mostar has been so important in my life. Then take it further by reading “Left Field”.
“Music is that little bottle in which you put all your emotions” … “They were unable to kill our songs” … “The war profiteers know what they fought for. I fought with the violin and songs. They were my machine gun and pistol” … “I'm lucky to be in a mixed marriage so we celebrate everything. We do Eid, Christmas, Easter.” ... “Pah, I'm fed up with all the holy days – I'd rather skip them all.” … “This bag of shrapnel is from my shelled flat. They are the reasons why I left. I have to know the reasons why I left. Probably they (on the other side) have the same things”
Dedicated to Mostar Sevdah Reunion: Ilijaz Delić, Mustafa Šantić, Sandi Durakovic, Miso Petrovic, Neđo Kovačević, Sead Avdić, Liljana Buttler, Dragi Šestić and Snail Records. And in addition Oharn Maslo (Oha) + Masa & Teo Krilic + Sanja
“Music is that little bottle in which you put all your emotions” … “They were unable to kill our songs” … “The war profiteers know what they fought for. I fought with the violin and songs. They were my machine gun and pistol” … “I'm lucky to be in a mixed marriage so we celebrate everything. We do Eid, Christmas, Easter.” ... “Pah, I'm fed up with all the holy days – I'd rather skip them all.” … “This bag of shrapnel is from my shelled flat. They are the reasons why I left. I have to know the reasons why I left. Probably they (on the other side) have the same things”
Dedicated to Mostar Sevdah Reunion: Ilijaz Delić, Mustafa Šantić, Sandi Durakovic, Miso Petrovic, Neđo Kovačević, Sead Avdić, Liljana Buttler, Dragi Šestić and Snail Records. And in addition Oharn Maslo (Oha) + Masa & Teo Krilic + Sanja
Wednesday, 4 March 2015
From war to art (Mostar)
or how a shell can fall on a shop or be in one - Dan Cruickshank's short film about Mostar - https://www.youtube.com/watch?v=NdwsExGXm8A See it here and read about it here… http://unbound.co.uk/books/left-field
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